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How To Build A Steel Guitar

how to build a steel guitar

George Beauchamp invented the electric guitar or some may call the lap steel guitar. Initially, electric guitars consisted primarily of hollow archtop acoustic guitar bodies to which electromagnetic transducers had been attached.

Early years

Sketch of Rickenbacker “frying pan” lap steel guitar from 1934 patent application.

Electric guitars were originally designed by an assortment of luthiers, electronics enthusiasts, and instrument manufacturers, in varying combinations. Some of the earliest electric guitars, then essentially adapted hollow bodied acoustic instruments, used tungsten pickups and were manufactured in the 1930s by Rickenbacker. In 1935, a Soviet scientist working separately from his western colleagues was known to have produced an electric Russian guitar called the “Kuznetsov electromagnetic guitar”. It was exhibited at a technology expo in Moscow, but its development was halted since the Stalin regime was hostile to guitar music[citation needed].

At least one company, Audiovox, built and may have offered an electric solid-body as early as the mid-1930s. Rickenbacher, later spelled Rickenbacker offered a cast aluminum electric guitar, nicknamed The Frying Pan or The Pancake Guitar, beginning in 1933.

Another early solid body electric guitar was designed and built by musician and inventor Les Paul in the early 1940s, working after hours in the Epiphone Guitar factory. His log guitar (so called because it consisted of a simple 4×4 wood post with a neck attached to it and homemade pickups and hardware, with two detachable Swedish hollow body halves attached to the sides for appearance only) was patented and is often considered to be the first of its kind, although it shares nothing in design or hardware with the solid body “Les Paul” model sold by Gibson.

Fender

Main article: Fender Musical Instruments Corporation

Sketch of Fender lap steel guitar from 1944 patent application.

In 1950 and 1951, electronics and instrument amplifier maker Leo Fender through his company, designed the first commercially successful solid-body electric guitar with a single magnetic pickup, which was initially named the “Esquire”. The two-pickup version of the Esquire was called the “Broadcaster”. The bolt-on neck was consistent with Leo Fender’s belief that the instrument design should be modular to allow cost-effective and consistent manufacture and assembly, as well as simple repair or replacement.

In 1954, Fender introduced the Fender Stratocaster, or “Strat”. It was positioned as a deluxe model and offered various product improvements and innovations over the Telecaster. These innovations included an ash or alder double-cutaway body design for badge assembly with an integrated vibrato mechanism (called a synchronized tremolo by Fender, thus beginning a confusion of the terms that still continues), three single-coil pickups, and body comfort contours. Leo Fender is also credited with developing the first commercially-successful electric bass called the Fender Precision Bass, introduced in 1951.

Gibson

Main article: Gibson Guitar Corporation

Gibson, like many guitar manufacturers, had long offered semi-acoustic guitars with pickups, and previously rejected Les Paul and his “log” electric in the 1940s. In apparent response to the Telecaster, Gibson introduced the first Gibson Les Paul solid body guitar in 1952 (although Les Paul was actually brought in only towards the end of the design process for expert fine tuning of the nearly complete design and for marketing endorsement ). Features of the Les Paul include a solid mahogany body with a carved maple top (much like a violin and earlier Gibson archtop hollow body electric guitars) and contrasting edge binding, two single-coil “soapbar” pickups, a 24″ scale mahogany neck with a more traditional glued-in “set” neck joint, binding on the edges of the fretboard, and a tilt-back headstock with three machine heads (tuners) to a side. The earliest models had a combination bridge and trapeze-tailpiece design that was in fact designed by Les Paul himself, but was largely disliked and discontinued after the first year. Gibson then developed the Tune-o-matic bridge and separate stop tailpiece, an adjustable non-vibrato design that has endured. By 1957, Gibson had made the final major change to the Les Paul as we know it today – the humbucking pickup, or humbucker. The humbucker, invented by Seth Lover, was a dual-coil pickup which featured two windings connected out of phase and reverse-wound, in order to cancel the 60-cycle hum associated with single-coil pickups; as a byproduct, however, it also produces a distinctive, more “mellow” tone which appeals to many guitarists. The more traditionally designed and styled Gibson solid-body instruments were a contrast to Leo Fender’s modular designs, with the most notable differentiator being the method of neck attachment and the scale of the neck (Gibson-24.75″, Fender-25.5″). Each design has its own merits. To this day, the basic design of many solid-body electric guitar available today are derived from the original designs – the Telecaster, Stratocaster and the Les Paul.

Vox

In 1962 Vox introduced the pentagonal Phantom guitar, originally made in England but soon after made by EKO of Italy. It was followed a year later by the teardrop-shaped Mark VI, the prototype of which was used by Brian Jones of The Rolling Stones. Vox guitars also experimented with onboard effects and electronics. The Teardrop won a price for its design. In the mid 1960s, as the sound of electric 12 string guitar became popular, Vox introduced the Phantom XII and Mark XII electric 12 string guitars. Vox produced many more traditional 6 and 12 string electric guitars in both England and Italy.

GuitarOrgan

In 1966 Vox introduced the revolutionary but problematic GuitarOrgan, a Phantom VI guitar with internal organ electronics. The instrument’s trigger mechanism required a specially-wired plectrum that completed circuit connections to each fret, resulting in a very wide and unwieldy neck. John Lennon was given one in a bid to secure an endorsement, though this never panned out. According to Up-Tight: the Velvet Underground Story, Brian Jones of the Rolling Stones also tried one; when asked by the Velvets if it “worked”, his answer was negative. The instrument never became popular, but it was a precursor to the modern guitar synthesizer.

Other guitars

Also other materials than wood were used. Travis Bean as well as Kremer built guitars with aluminium necks. Danelectro used cardboard bodies. Also plasic and carbon bodied guitars have been made in the past. The Gittler guitar was a design guitar made in the 8os. 1991 saw the introduction of guitar designer Jol Dantzig’s first truly workable acoustic-electric hybrid guitar design. The instrument, called the DuoTone, was conceived while Dantzig was at Hamer Guitars. (Dantzig was also the designer of the first 12 string bass.) Adapted by players like Ty Tabor, Stone Gossard, Elvis Costello and Jeff Tweedy, the DuoTone was a full “duplex” instrument that could switch between acoustic and electric tones. Recently there have been many entries in the hybrid category (capable of both acoustic and electric tones) including the T5 by Taylor, Michael Kelly’s “Hybrid,” the Parker Fly and the Anderson Crowdster. In the 90s the band Neptune began building weird looking metal guitar with 3rd Bridge options incorporated. A predecessor of this type of guitars is the Pencilina. Linda Manzer designed the Pikasso guitar with multiple necks.

Other related topics

Luthier Vintage guitar Jazz guitar Guitar chord Guitar harmonics Prepared guitar 3rd bridge Electric Guitar Design Guitar amplifier History of the classical guitar

Categories: Electric guitars | Industrial designHidden categories: Articles needing additional references from January 2009 | All articles needing additional references | All articles with unsourced statements | Articles with unsourced statements from February 2007
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hawaiian lap steel guitar (making, building guitars)

Understanding How to Build Guitar Chords and Arpeggios

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How To Play The Hawaiian Steel Guitar Book/CD Set

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Clapton’s Guitar: Watching Wayne Henderson Build The Perfect Instrument

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In 1994, Eric Clapton came across a Wayne Henderson guitar in a recording studio and decided on the spot that he had to have one. Rarer than Stradivarius violins, these musical works of art are built from near-extinct Brazilian Rosewood, Appalachian spruce, black ebony, and fine mother-of-pearl. With Henderson’s keen ear for the vibrations of each piece of wood he uses, each note that comes out of them has the power of a cannon and the sweetness of maple syrup. In Clapton’s Guitar, Allen St. John recounts how a perfect acoustic guitar comes into the world and how an artist gauges perfection. Wayne Henderson, master luthier and genius in blue jeans, will tell you that he simply puts penknife to wood and carves away "everything that isn’t a guitar." This is the story of a master artist, set deep in the mountains of southwestern Virginia in a brick, one-story guitar shop, as busy and chaotic inside as it is simple outside. The space is well-lighted, cluttered with power tools, air hoses, and guitar bodies in various stages of completion. It is in this modest shop that Wayne Henderson crafts some of the most highly coveted acoustic guitars on earth, including one very special instrument he built for Eric Clapton. Normally, there is a ten-year wait for a Henderson guitar, and St. John finds there are no exceptions even for an iconic figure like Clapton. But seeing it as a shortcut to getting his own guitar done, St. John jump-starts the process, and then takes readers with him on a mesmerizing journey into the heart of high-end instrument making with the man The Washington Post calls the "Mad Scientist of Mountain Music." Henderson, a small-town wise man, is not only the star of this book as a master guitar maker but also is the star of any stage he sets foot on as a master guitar player, equally at home at Carnegie Hall or the local VFW hall. Around this drolly humorous man circulates a small coterie of colorful characters and inspired musicians, who welcome you for an all-too-brief visit. By book’s end, you too will want to be Wayne Henderson’s friend. In a rich tapestry of folklore and folksiness, St. John tells the story of building the Clapton guitar in loving detail, from the centuries-old forests where great tonewood grows, to the auction floor of Christie’s where one of Clapton’s guitars commands over $700,000. It’s also a loving look at Wayne’s corner of the world, the Blue Ridge mountain hamlets where American traditional music was born, and of Wayne’s hometown of Rugby, Virginia, population 7, where the winding roads have kept progress at bay. Whether you love old-time music, unplugged rock, traditional American craftsmanship, or simply gifted storytelling, Clapton’s Guitar is an engaging work that you will want to savor and share with friends.

How To Build A House

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Seventeen-year-old Harper Evans hopes to escape the effects of her father’s divorce on her family and friendships by volunteering her summer to build a house in a small Tennessee town devastated by a tornado.

How To Build A Business And Sell It

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MBA MEETS MAIN STREET Finally, the positive economic news every businessperson is waiting to hear. Jack Garson says the long economic downturn will give way to a major buying spree by cash-rich companies and they could be in the market to purchase your small or medium-sized business. It’s the ultimate payday for everyone who wants to live the American dream, whether they’re starting a business or already own one. Millions of dollars are on the table. But will you and your business be ready? How to Build a Business and Sell it for Millions is a must-read for every business owner and would-be entrepreneur. In entertaining and elaborate detail, Garson outlines the vital moves your company needs to make to become an attractive acquisition by other firms: · Do you have a competitive edge that sets you apart from your competition? · Are both you and your company sustainable and able to outlast the bad times to become a success? · Can you stop being a "Derek," the boss who suffers from "Founder’s Dilemma," micromanaging everything big and small? How to Build a Business and Sell it for Millions uses real life examples to explain how the goal of selling your company needs to be linked to every business decision you make: hiring, compensation, contracts, financial reporting and dozens of other areas often overlooked by busy entrepreneurs. While many business owners struggle to get to the next day, Garson has the inside scoop on achieving the opportunity of a lifetime selling your company for vast riches. In How to Build a Business and Sell It for Millions , MBA meets Main Street, with a combination of inspiration and invaluable practical advice.

How to Build a Business and Sell It

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MBA MEETS MAIN STREET Finally, the positive economic news every businessperson is waiting to hear. Jack Garson says the long economic downturn will give way to a major buying spree by cash-rich companies and they could be in the market to purchase your small or medium-sized business. It’s the ultimate payday for everyone who wants to live the American dream, whether they’re starting a business or already own one. Millions of dollars are on the table. But will you and your business be ready? How to Build a Business and Sell it for Millions is a must-read for every business owner and would-be entrepreneur. In entertaining and elaborate detail, Garson outlines the vital moves your company needs to make to become an attractive acquisition by other firms: · Do you have a competitive edge that sets you apart from your competition? · Are both you and your company sustainable and able to outlast the bad times to become a success? · Can you stop being a "Derek," the boss who suffers from "Founder’s Dilemma," micromanaging everything big and small? How to Build a Business and Sell it for Millions uses real life examples to explain how the goal of selling your company needs to be linked to every business decision you make: hiring, compensation, contracts, financial reporting and dozens of other areas often overlooked by busy entrepreneurs. While many business owners struggle to get to the next day, Garson has the inside scoop on achieving the opportunity of a lifetime selling your company for vast riches. In How to Build a Business and Sell It for Millions , MBA meets Main Street, with a combination of inspiration and invaluable practical advice.

How to Build a Time Machine

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With his unique knack for making cutting-edge theoretical science effortlessly accessible, world-renowned physicist Paul Davies now tackles an issue that has boggled minds for centuries: Is time travel possible? The answer, insists Davies, is definitely yes – once you iron out a few kinks in the space-time continuum. With tongue placed firmly in cheek, Davies explains the theoretical physics that make visiting the future and revisiting the past possible, then proceeds to lay out a four-stage process for assembling a time machine and making it work. Wildly inventive and theoretically sound, How To Build a Time Machine is creative science at its best – illuminating, entertaining, and thought provoking.

How To Build A Great Screenplay

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Acclaimed USC screenwriting teacher David Howard has guided hundreds of students to careers in writing for film and television. Drawing on decades of practical experience and savvy How to Build a Great Screenplay deconstructs the craft of screenwriting and carefully reveals how to build a good story from the ground up. Howard eschews the "system" offered by other books emphasizing that a great screenplay requires dozens of unique decisions by the author. He offers in-depth considerations of: * characterization * story arc * plotting and subplotting * dealing with coincidence in story plotting * classical vs. revolutionary screenplay structure * tone style and atmosphere * the use of time on screen * the creation of drama and tension * crucial moments in storytelling Throughout the book Howard clarifies his lessons through examples from some of the most successful Hollywood and international script-oriented films including Pulp Fiction American Beauty Trainspotting North by Northwest Chinatown and others. The end result is what could very well become the classic text in the field—a bible for the burgeoning screenwriter.

How To Finger Pick On A Guitar

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How to Build a Digital Library

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How to Build a Digital Library is the only book that offers all the knowledge and tools needed to construct and maintain a digital library regardless of the size or purpose. It is the perfectly self-contained resource for individuals agencies and institutions wishing to put this powerful tool to work in their burgeoning information treasuries. The Second Edition reflects new developments in the field as well as in the Greenstone Digital Library open source software. In Part I the authors have added an entire new chapter on user groups user support collaborative browsing user contributions and so on. There is also new material on content-based queries map-based queries cross-media queries. There is an increased emphasis placed on multimedia by adding a "digitizing" section to each major media type. A new chapter has also been added on "internationalization " which will address Unicode standards multi-language interfaces and collections and issues with non-European languages (Chinese Hindi etc.). Part II the software tools section has been completely rewritten to reflect the new developments in Greenstone Digital Library Software an internationally popular open source software tool with a comprehensive graphical facility for creating and maintaining digital libraries. As with the First Edition a web site implemented as a digital library will accompany the book and provide access to color versions of all figures two online appendices a full-text sentence-level index and an automatically generated glossary of acronyms and their definitions. In addition demonstration digital library collections will be included to demonstrate particular points in the book. to access the online content please visit http://www.greenstone.org/howto *Outlines the history of libraries– both traditional and digital– and their impact on present practices and future directions. *Written for both technical and non-technical audiences and covers the entire spectrum of media including text images audio video and related XML standards. *Web-enhanced with software documentation color illustrations full-text index source code and more.

Girls Learning How to Cook and Boys Learning How to Build Things in School

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Girls Learning How to Cook and Boys Learning How to Build Things in School – Premium Photographic Print